![]() 'Discorama', Paris, France, 21 February 1968."Set the Controls for the Heart of the Sun" – 4:31.'Bouton Rouge', Paris, France, 20 February 1968.'Vibrato', Brussels, Belgium, February 1968."Set the Controls for the Heart of the Sun" – 5:02.‘Tienerklanken’, Brussels, Belgium, 19 February 1968."The Massed Gadgets of Hercules ( A Saucerful of Secrets)" – 7:18."Murderotic Woman (Careful with That Axe, Eugene)" – 3:38." Careful with That Axe, Eugene" – 5:46Ĭapitol Studios, Los Angeles, 22 August 1968:.Tracks taken from the "Point Me at the Sky" and "It Would Be So Nice" 7-inch singles: " Interstellar Overdrive" (Live, London, 1967) – 9:33ĭisc one (CD) – studio recordings from 1968 BBC Sessions from 1968."The Scarecrow (outtakes)" (Pathé Pictorial, UK, 1967) – 2:07."See Emily Play: BBC Top Of The Pops" (Partially restored BBC Studios, London, 1967) – 2:55."Instrumental Improvisation" (Live, London, 1967) – 4:32."Instrumental Improvisation" (BBC Tomorrow's World, London, 1967) – 2:11."Apples & Oranges: plus Dick Clark interview" (Live, Los Angeles, 1967) – 4:51." Jugband Blues: London Line promo video" (London, 1967) – 2:58.Astronomy Domine: plus Syd Barrett & Roger Waters interview: BBC The Look Of The Week" (BBC Studios, London, 1967) – 9:22 " Arnold Layne: promo video" (Wittering Beach, 1967) – 2:54." Interstellar Overdrive: Scene – Underground" (London, 1967) – 4:15."Recording Interstellar Overdrive and Nick's Boogie" (London, 1967) – 6:36." Chapter 24" (Syd Barrett, Live, Cambridgeshire, 1966) / (Live at EMI Studios, London, 1967) – 3:40.Tracks 9–17 recorded at De Lane Lea Studios, London, 20 October 1967. Tracks 1–8 recorded live 10 September 1967 at Gyllene Cirkeln, Stockholm, Sweden. The piece was recorded as the soundtrack for Latham's 1962 film Speak. ![]() The John Latham recordings are of one long extended improvisational piece split across nine tracks, it is similar to that of the extended improvisation often played during the middle section of " Interstellar Overdrive". The original recording is ambient, so it is of lower fidelity than a typical live release. It was mastered for this release with the stereo channels out of phase and a silent gap mistakenly inserted. Live in Stockholm has barely audible vocals, rendering the performance almost completely instrumental.
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